Jazz #1467
| TW | LW | 2W | PK | WKS | Artist | Recording | Label |
| 1 | 1 | 1 | 1 | 6 | NORAH JONES | Day Breaks | Blue Note |
| 2 | 2 | 9 | 2 | 3 | CORY WEEDS QUINTET | It’s Easy To Remember | Cellar Live |
| 3 | 17 | 8 | 3 | 6 | GENE ESS | Absurdist Theater | SIMP |
| 4 | 3 | 3 | 2 | 7 | JOHN SCOFIELD | Country For Old Men | Verve |
| 5 | 5 | 11 | 5 | 5 | DAVE LIEBMAN GROUP | Expansions Live | Whaling City Sound |
| 6 | 7 | 15 | 6 | 6 | ERROL GARNER | Ready Take One | OCTAVE |
| 7 | 4 | 10 | 4 | 9 | MADELEINE PEYROUX | Secular Hymns | Impulse |
| 8 | 6 | 4 | 4 | 9 | JOSHUA REDMAN AND BRAD MEHLDAU | Nearness | Nonesuch |
| 9 | 16 | 29 | 9 | 5 | ALYSSA ALLGOOD | Out of The Blue | JeruJazz |
| 10 | – | – | 10 | 1 | CHARLIE HADEN LIBERATION MUSIC ORCHESTRA | Time/Life (Song For the Whales And Other Beings) | Impulse |
| 11 | 10 | 32 | 10 | 5 | ALEX LEVINE QUARTET | Towards The Center | Outside In |
| 12 | 27 | 30 | 12 | 3 | JONATHAN FINLAYSON | Still Moving | Pi |
| 13 | 19 | 6 | 6 | 6 | TAKUYA KURODA | Zigzagger | Concord |
| 14 | 21 | – | 14 | 2 | LARRY CORBAN | Corban Nation | Nabroc |
| 15 | 20 | 23 | 15 | 4 | DONNY MCCASLIN | Beyond Now | Motema |
| 16 | 11 | – | 11 | 2 | CHARLIE HADEN | Liberation Music Orchestra | Impulse |
| 17 | 15 | 34 | 15 | 5 | SPACE ORPHAN | Shut Up About The Sun | Self-Released |
| 18 | 18 | – | 18 | 2 | JOHN MOULDER | Earthborn Tales Of Soul And Spirit | Origin |
| 19 | 28 | 28 | 19 | 3 | BRENNA WHITAKER | Brenna Whitaker | Verve |
| 20 | – | – | 20 | 3 | BRIA SKONBERG | Bria | OKeh |
| 21 | 8 | 16 | 8 | 3 | REVOLUTIONARY SNAKE ENSEMBLE | I Want That Sound | Innova |
| 22 | – | – | 22 | 1 | ROBERTO FONSECA | ABUC | Impulse! |
| 23 | – | – | 23 | 1 | BAND OF OTHER BROTHERS | City Of Cranes | Ear Up |
| 24 | 13 | 2 | 1 | 8 | ROBERT GLASPER EXPERIMENT | ArtScience | Blue Note |
| 25 | – | – | 25 | 1 | SCOTT BRADLEE’S POSTMODERN JUKEBOX | The Essentials | Concord |
| 26 | 25 | 27 | 25 | 3 | AZIZA | Aziza | |
| 27 | 14 | 7 | 3 | 9 | CATHERINE RUSSELL | Harlem On My Mind | Jazz Village |
| 28 | – | – | 28 | 2 | BRIAN MARSELLA’S IMAGINARIUM | The Clocks Have Gone Mad | Red Palace |
| 29 | 26 | – | 26 | 3 | BUSELLI-WALLARAB JAZZ ORCHESTRA | Basically Baker Vol. 2 | Patois |
| 30 | – | – | 30 | 2 | ADRIENNE FENEMOR | Blues Jam | |
| 31 | 12 | 5 | 5 | 7 | ORRIN EVANS | Knowingishalfthebattle | Motema |
| 32 | – | 13 | 9 | 6 | RIK WRIGHT’S FUNDAMENTAL FORCES | Subtle Energy | Hipsync |
| 33 | – | – | 33 | 1 | GEORGE CABLES | The George Cables Songbook | HighNote |
| 34 | – | – | 3 | 15 | CHARLIE HUNTER | Everybody Has A Plan Until They Get Punched In The Mouth | Ground Up |
| 35 | 39 | – | 5 | 9 | JOHN BEASLEY | MONKestra, Volume 1 | Mack Avenue |
| 36 | 23 | 19 | 19 | 3 | ANDREW CYRILLE, BEN STREET, BILL FRISELL, AND RICHARD TEITELBAUM | The Declaration Of Musical Independence | ECM |
| 37 | 29 | – | 4 | 12 | NELS CLINE | Lovers | Blue Note |
| 38 | – | – | 31 | 2 | RICHARD SUSSMAN | The Evolution Suite | |
| 39 | – | – | 1 | 20 | GREGORY PORTER | Take Me To The Alley | BlueNote |
| 40 | 34 | – | 34 | 2 | JASON HAINSWORTH | Third Ward Stories | Origin |
